Runway

“You can use Gen-Fort to kind of position the camera in different parts of the scene, and you kind of, like, it's interesting because the model becomes, like, a cinematographer. It's kind of helping you understand or provoking, provoking you with ideas of how y…”

“There's many people who've been using Runway to do exactly what you're saying. You block the scenes by using either, like, three D software or just like props. We have a way of rendering content using existing videos.”

“I think prompting is overrated. Like, just language as a unique interface will not get you too far because, like, storytelling and films, particularly in video, it's just so hard to just describe words, you know.”

“You're going to get really soon to a point where you can run these models in real time. And so by the time you run them in real time, you're streaming the pixels as you're watching them, interacting with them.”

“I think the evil should be just like how good the movie is, how good the shirt is. Like, you know, like how many awards, how many people are watching it. That's the, that's evil. Like, I think that's the, that's our internal goal is basically to make sure that…”

“I do think it's important. Like I do feel like all of the chips that are being made to compete with NVIDIA are relevant, but for us, it's still like very hard to see where we can switch to be honest.”

“If you're making like good professional content, if you make a living out of making content, like making a meme or like one image, it's not going to get you far. It's like you need a suit of different tools.”

“I don't see them as a replacement. I don't see them as like, oh, we're going to suddenly like stop hiring actors. Actually, for most of our shots, you actually require actors to do like act one or performances that you can transpose into the way you want.”

“If you look at The Lonely Little Flame, the short I was just mentioning before, that's production value before June four, we're talking about hundreds of thousands of dollars. That's a very expensive thing to make. It took us, like, two to three days to make l…”

“Now you, anyone, basically anyone out there who has a YouTube channel right now can create a type of content that looks like someone made it in a studio with 50, a hundred million dollars.”

“It's it solves one of the most pressing things of AI video these days, which is consistency. So you can create really consistent worlds.”