Music executive Simon Cowell describes the unprecedented physical retail demand for Robson and Jerome's 1995 single 'Unchained Melody'.
Opinion
Simon Cowell claims many music industry A&R executives are genuinely tone-deaf.
“You know, I don't think anyone even today is really trained to be an A&R person. I don't even know how people today, you know, get that job, because a lot of the A&R people I knew were genuinely tone deaf. Seriously.”
Insight
Simon Cowell prioritizes commercial entertainment over critical prestige in music.
“It's the music business. I'm just trying to make money. You know, it doesn't really matter. Does it? If someone's enjoying it, let them enjoy it. Who cares?”
Assertion Not checkable as stated
Simon Cowell: 1980s UK gay clubs predicted pop trends six months early.
“There was this kind of crossover period between what was happening in a lot of the gay clubs in the UK. They were kind of ahead of the curve. It was like, you want to know what's going to happen in six months time? You went to this club.”
Disclosure
Simon Cowell bases A&R decisions entirely on personal taste, not technical knowledge.
“What I never did, though, I never tried to pretend that I could produce a record or be a musician, because I couldn't, I can't produce records.
I can't play instruments.
I don't know what note anyone's any,
Singing it, whether it's C, B, D, or G, I have no ide…”
Disclosure
Simon Cowell offered to blindly double the Spice Girls' record deal.
“I get in my car, floor it back to my office, call the manager and said, look, I'll literally double whatever deal you've been offered if you haven't already signed. And he said, too late to sign.”
Disclosure
Simon Cowell took zero salary for American Idol to secure backend rights.
“And by the way, I didn't ask for any money for myself on both the British show and the American show on the first year. I said, I don't want a contract. I don't want to be paid. If it works, then we're going to have another conversation if it works.”