Everything Doug E. Fresh said on any show that made the record, most notable first. Each card names its show and opens the statement there.
Doug E. Fresh: I was the sole originator of the human beatbox
“And then when I was doing it was only me. You know, I was the beginning of this style.”
Doug E. Fresh: No artists owned their masters in 1984 and 1985
“That's how I was able to own my masters in 8485. No artist had ownership of their masters, but I paid for my own records to be made because nobody was making the record the way I wanted to make it.”
Doug E. Fresh: Creating a hit song you hate traps you in prison
“To me, if an artist has a hit record, And he doesn't like that record. He hates it. I think he put himself in prison for the rest of his life.”
Doug E. Fresh: Hip-hop originated from Caribbean sound crew traditions
“A lot of people don't know hip hop started from the foundation of this platform. So when we did jams outside, a lot of those were done because of the, you know, the basic Principles of the way it was done in the Caribbean.”
Doug E. Fresh never charged fellow hip-hop artists for sampling his tracks
“And a lot of artists, just for the record, a lot of fellow hip hop artists, we never charged them.”
Doug E. Fresh: Unauthorized Rihanna producer NFT drop boosted catalog by 17%
“This producer that worked with Rihanna decided to do a limited release, an NFT release. He didn't ask permission from nobody, he just did it, right? And it sold out in no time, and it made like 69,000 dollars, call it 70,000 dollars, but the NFT drop impacted …”
Doug E. Fresh: AI will never replicate live human musical soul
“You can never replace the spirit and soul of a, there's no way AI could give us Tyrone from Erykah Badu off the cuff, live, with her people. It's impossible to replace that.”
Doug E. Fresh recorded 'The Show' and 'La Di Da Di' at 16
“I was at Harlem World when I was 14, and then at 15 Harry Belafonte had me set up to do Beach Street. And then after that, 16 is when I made the show, and Lottie Dottie and 17 is when it came out.”
Doug E. Fresh: Biz Markie's album changed music sampling copyright laws
“His album was the album that broke this whole thing wide open with the sampling laws changing”
Doug E. Fresh: 'La Di Da Di' features zero external instruments
“The fascinating thing about the song is it's only me and him. There was nothing else in the song. There's no, I'm the beat. I'm the change, I'm the lyrics, and he's the lyrics”
Doug E. Fresh: Father grew up near the Marley family in Jamaica
“My family, you know, they're Jamaican, so music was a big thing with my pops, like, he lived close to where the Marley family lived back in Jamaica, so, like, you know, that was a big thing for him, music, so it kind of got passed off for me.”