Netflix

includes Netflix Multi Screen Experience

91 statements across 34 episodes · 33 bullish · 13 bearish · 28 people on the record · first statement Jul 15, 2017 by Benedict Evans · said 412 times in 115 episodes since 2017 · across every show →

Mentions by year, the whole family

brought up most by Marc Andreessen (131), Alex Rampell (28), Benedict Evans (27), Sonal Chokshi (23), Ted Sarandos (18), Reed Hastings (15), Michael Copeland (13), Chris Dixon (12)

tap a year for its mentions
0015030300602017201820192020202120222023202420252026episodesmentions
030602017201820192020202120222023202420252026episodes it came up in
002.5305602017201820192020202120222023202420252026episodesmentions per episode
2026 11 mentions in 7 episodes 2 per episode
2025 21 mentions in 14 episodes 2 per episode
2024 5 mentions in 4 episodes 1 per episode
2023 30 mentions in 14 episodes 2 per episode
2022 8 mentions in 2 episodes 4 per episode
2020 20 mentions in 5 episodes 4 per episode
2019 270 mentions in 56 episodes 5 per episode
2018 42 mentions in 10 episodes 4 per episode
2017 5 mentions in 3 episodes 2 per episode

every mention, scene by scene, with the transcript →

Everything said about Netflix, oldest first

Jul 15, 2017 bullish
Assertion Supported
Evans: Netflix holds the fourth largest content production budget in the US
“Netflix itself has the fourth largest production budget in the USA.”
Benedict Evans Jul 15, 2017 ▶ 4:36 Mobile Is Eating the World, 2016
Jul 16, 2017 neutral
Assertion Not checkable as stated
Reed Hastings barred Netflix's revenue-generating DVD team from executive meetings
“DVDs was a hundred percent of our revenue, and the, we had a whole, like, giant team running that business, and one day I said, you guys aren't allowed to come to staff meeting anymore.”
Ben Horowitz Jul 16, 2017 ▶ 27:38 Culture and Revolution
May 4, 2018
Assertion Not checkable as stated
TrialPay Generated Nearly 10% of Netflix Signups at Its Peak
“I think we're almost 10% of their signups at one point.”
Terry Angelos May 4, 2018 ▶ 18:52 The Oral History of TrialPay -- Obstacles and Opportunities in Payments
Jun 2, 2018 positive
Insight
Sarandos: Authentic local TV shows travel globally better than English-dubbed copies
“What we're trying to do is tell these stories that are authentically local, and the win for us is that they actually travel more the more authentic they are. Because there's something inorganic about the English language European television show that forces it…”
Ted Sarandos Jun 2, 2018 ▶ 15:51 In Conversation: Netflix' Ted Sarandos and Marc Andreessen
Jun 2, 2018 positive
Disclosure
Sarandos: Netflix immediately bought Stranger Things but misjudged its massive scale
“I knew as soon as we heard the Stranger Things pitch that we were doing the show. And I knew at every step of the way, as the episodes, as the scripts were coming in, as the episodes were coming in, that it was something special. Not at the scale that it is. I…”
Ted Sarandos Jun 2, 2018 ▶ 10:27 In Conversation: Netflix' Ted Sarandos and Marc Andreessen
Jun 2, 2018
Assertion Not checkable as stated
Sarandos: Netflix employs 1,000 content staff in LA and 4,000 in Silicon Valley
“The people who work for me in LA, there's about a thousand people who work in LA that, on all the aspects of content they all think they work at the greatest entertainment company in the world. And I hope they, I think they're right. And I think there's about …”
Ted Sarandos Jun 2, 2018 ▶ 4:11 In Conversation: Netflix' Ted Sarandos and Marc Andreessen
Jun 2, 2018
Disclosure
Sarandos: Netflix greenlights about one in 100 pitches received
“This year we'll have 30 original series, 80 original films, 35 original kid series 19 local language original series being produced all over the world 65 documentary projects, so I would say it's about one in a hundred.”
Ted Sarandos Jun 2, 2018 ▶ 8:03 In Conversation: Netflix' Ted Sarandos and Marc Andreessen
Jun 2, 2018
Assertion Not checkable as stated
Sarandos: Netflix employees in 1999 kept postal scales on their desks
“Everybody at Netflix back in those days had a scale on their desk. Because everyone was trying to optimize for postal weight.”
Ted Sarandos Jun 2, 2018 ▶ 0:47 In Conversation: Netflix' Ted Sarandos and Marc Andreessen
Jun 2, 2018 positive
Assertion Not checkable as stated
Sarandos: Brazilian series '3%' viewership matches a US cable hit
“And you show, show like the three percent, which is a show we make in Brazil, in all in Portuguese, with an all Brazilian cast, and the watching on Netflix in the U.S. Would be equivalent to a pretty good sized cable hit.”
Ted Sarandos Jun 2, 2018 ▶ 15:24 In Conversation: Netflix' Ted Sarandos and Marc Andreessen
Jun 2, 2018 positive
Disclosure
Sarandos: Netflix ordered two seasons of House of Cards with zero notes
“House of Cards was our first original show on Netflix. And The deal we made with David Fincher was, I'm gonna give you two seasons of the show, no pilot, and no notes.”
Ted Sarandos Jun 2, 2018 ▶ 19:05 In Conversation: Netflix' Ted Sarandos and Marc Andreessen
Jun 2, 2018 positive
Disclosure
Sarandos: Netflix spent almost zero marketing on hit Making a Murderer
“We didn't, we spent almost no marketing money on the show at all. And it just exploded on its own. So, nobody could, I mean, nobody inside of Netflix foresaw that was going to be, you know, an overnight sensation like that, like it was.”
Ted Sarandos Jun 2, 2018 ▶ 12:22 In Conversation: Netflix' Ted Sarandos and Marc Andreessen
Oct 26, 2018
Assertion Contradicted
Netflix Began International Expansion After Hitting 30 Million U.S. Subscribers
“As soon as Netflix hit thirty million paying subscribers in the U.S., they started expanding everywhere, because the population of the U.S. Is three hundred million.”
Alex Rampell Oct 26, 2018 ▶ 4:05 Distribution, Channel & Partnerships
Oct 26, 2018
Assertion Not checkable as stated
Geico Values Safe Drivers at $2,000; Netflix Values Subscribers at $100
“You're worth 2000 dollars or more to Geico if you're a relatively good driver, you're worth a hundred dollars to Netflix, you're worth hundreds of dollars to the cell phone carriers, and these companies will pay some percentage of this to whoever refers you to…”
Alex Rampell Oct 26, 2018 ▶ 0:38 Distribution, Channel & Partnerships
Nov 16, 2018 bullish
Assertion Supported
Evans: Netflix and Amazon match top US media content budgets
“Netflix and Amazon are now top tier content producers. They have equivalent budgets to the other major US entertainment companies.”
Benedict Evans Nov 16, 2018 ▶ 14:46 The End of the Beginning
Nov 16, 2018 bullish
Assertion Supported
Evans: Gaming stream viewership is larger than Netflix, HBO, or ESPN
“Watching people play games is now bigger than Netflix, or bigger than HBO, or bigger than ESPN.”
Benedict Evans Nov 16, 2018 ▶ 15:10 The End of the Beginning
Jan 2, 2019
Assertion Contradicted
Bilimoria: Game consoles drive over 60% of Netflix streaming hours
“I think more than 60% of streaming hours on Netflix are coming from the major game consoles.”
Zal Bilimoria Jan 2, 2019 ▶ 2:58 a16z Podcast | The Future Of Television
Jan 2, 2019
Assertion Partly supported
Bilimoria: Netflix spent over $100M for two seasons of House of Cards
“The hits are really starting to drive, I think, Netflix's business, which is why they realized that, They can spend a hundred million dollars to actually fund a total of 26 episodes across two seasons for House of Cards. Actually, it's probably much more than …”
Zal Bilimoria Jan 2, 2019 ▶ 4:13 a16z Podcast | The Future Of Television
Jan 2, 2019
Insight
Evans: Content and monetization models—not tech—are TV's true lock
“There's always this sort of misperception that you can turn up with technology and disrupt it, but actually the point of Netflix and the reason why the existing model is so strong is it's actually, no, it's the content. That's the lock on all of this stuff, an…”
Benedict Evans Jan 2, 2019 ▶ 5:54 a16z Podcast | The Future Of Television
Jan 2, 2019 neutral
Opinion
Evans: Netflix is fundamentally a content business, not a tech company
“Netflix is kind of a cable channel. Now, this is in the content business that happens to use technology to do interesting and new and disruptive ways to things.”
Benedict Evans Jan 2, 2019 ▶ 10:41 a16z Podcast | The Future Of Television
Jan 2, 2019 neutral
Assertion Not checkable as stated
Bilimoria: Streaming hours was the metric most correlated with Netflix retention
“There was two metrics at Netflix that every product manager was geared toward. It's subscriber retention and streaming hours. The most highly correlated variable to subscriber attention was streaming hours, right?”
Zal Bilimoria Jan 2, 2019 ▶ 18:23 a16z Podcast | The Future Of Television
Jan 2, 2019 positive
Assertion Supported
Hindman: Twitter, Airbnb, Netflix, and PayPal run on Mesos
“The open source components that, that make up a large part of the DCOS are used by a large number of companies today. Some of the biggest users out there are companies like Twitter Airbnb, HubSpot, eBay, and PayPal are using it for running things. Netflix is u…”
Benjamin Heinemann Jan 2, 2019 ▶ 20:57 a16z Podcast | Why the Datacenter Needs an Operating System
Jan 2, 2019 positive
Insight
Roman Mars: DVR and Netflix normalized curated entertainment, driving podcast adoption
“I think people are used to curating their lives a little bit more with DVR and Netflix. They're used to, like, programming their own entertainment, and podcasting doesn't seem like that big of a deal anymore.”
Roman Mars Jan 2, 2019 ▶ 3:32 a16z Podcast | A Podcast about Podcasts
Jan 2, 2019 positive
Assertion Supported
Arbesman: Netflix uses Chaos Monkey to randomly disable live production subsystems
“Netflix, they have this chaos monkey suite of tools where the tool will periodically take subsystems out of commission and see how the overall system responds live. It'll just kind of knock out portions of Netflix and see how it responds. And the idea is to lo…”
Sam Arbesman Jan 2, 2019 ▶ 9:55 a16z Podcast | It's Complicated
Jan 2, 2019
Assertion Not checkable as stated
Cockcroft: Netflix had 100 engineers deploying a single monolith every two weeks
“We started off basically running away from a monolith. We had over a hundred people every two weeks trying to get all the code they'd written in the last two weeks jammed into one code base, get it through QA and get that out into production.”
Adrian Cockcroft Jan 2, 2019 ▶ 1:20 a16z Podcast | All About Microservices
Jan 2, 2019 bearish
Insight
Cockcroft: Open source from Big Tech makes proprietary software startups harder
“So what you're seeing now is Twitter and Facebook and Netflix and Google and LinkedIn producing the stuff you actually want to use, which has already been tested at volume. And then it's actually much harder to build a proprietary software company because you'…”
Adrian Cockcroft Jan 2, 2019 ▶ 16:23 a16z Podcast | All About Microservices
Jan 2, 2019 negative
Insight
Milk: A 'Netflix for VR' cannot exist without a back catalog
“You could not start Netflix of the art today because there's no back catalog to license every, every, you know, Netflix starts and they license a hundred something years of cinema and television and they have a catalog. Got it. And you pay for it, access that …”
Chris Milk Jan 2, 2019 ▶ 4:53 a16z Podcast | VR, AR, and Beyond: The New Medium of Human Experience
Jan 2, 2019 bullish
Prediction Held up
Stromberg: VR distribution will shift from download stores to subscription models
“Initially where you know when you have sites like Steam and you know, Oculus site and all these will be the first places that you're able to sort of download, but I can see very clearly a time when you will have this sort of Netflix like library to choose from…”
Robert Stromberg Jan 2, 2019 ▶ 31:02 a16z Podcast | Building Worlds with VR, Art, and Narrative
Jan 2, 2019
Prediction Not checkable as stated
Harari: Algorithmic authority's major breakthrough will rely on biometric data
“I think the big breakthrough will come with biometric data. So far, most of these algorithms, whether it's Amazon or Netflix or whatever, they work mainly on the basis of data external to my body. They follow me around in space, see where I go, which places I …”
Yuval Noah Harari Jan 2, 2019 ▶ 16:04 a16z Podcast | Brains, Bodies, Minds ... and Techno-Religions
Jan 2, 2019
Assertion Not checkable as stated
Chokshi: Netflix reshapes cultural consumption through on-demand catalog lock-in
“It's already working on some level because you might have a million other movies out there, but you really don't care because you only care about what's in the Netflix catalog because you're Being able to binge watch and get it on demand in the moment. So it's…”
Sonal Chokshi Jan 2, 2019 ▶ 15:47 a16z Podcast | Brains, Bodies, Minds ... and Techno-Religions
Jan 2, 2019
Insight
Hastings: Leaders miss threats by judging current technology instead of potential
“Jeff Bucus, who runs Time Warner, who's, you know, Stanford MBA, he's been in the business, ran HBO for 20 years, you know, a very thoughtful guy, and yet he missed the Netflix thing. And what happens to people is they associate you as you are, not as what you…”
Reed Hastings Jan 2, 2019 ▶ 25:49 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 neutral
Insight
Hastings: Netflix competes for broad leisure time, not just Amazon or HBO
“It's not just competing against Amazon or HBO, it's really this open competition for time.”
Reed Hastings Jan 2, 2019 ▶ 13:47 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 positive
Prediction Not checkable as stated
Hastings: Netflix will operate with fewer rules as it grows
“And so that's when I vowed that in starting another company, that at least we wouldn't make that mistake. That as we grew, we would try to have less rules, not more rules.”
Reed Hastings Jan 2, 2019 ▶ 4:55 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 neutral
Assertion Not checkable as stated
Hastings: Ted Sarandos bought 5,000 DVDs at Costco to fulfill early Netflix orders
“In his first two years at Netflix, he had to work out of the home because he couldn't afford an office, and he used to drive down with his crew to Costco and, you know, buy 5000 copies, and, you know, we would load them up and mail them out.”
Reed Hastings Jan 2, 2019 ▶ 17:57 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 positive
Assertion Not checkable as stated
Hastings: House of Cards and Orange Is the New Black proved original content model
“Yeah, the first weekend, well, it was all the press leading up to House of Cards, and then the first weekend, and then there was the White House Correspondent Center that year spoofed it, and we had clearly hit a meme that we thought, wow, if we can do more of…”
Reed Hastings Jan 2, 2019 ▶ 19:29 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 neutral
Assertion Not checkable as stated
Hastings: Netflix accounts for under 5% of global content created
“If you look at the total global ecosystem, we're still sub-five percent of all content being made around the world.”
Reed Hastings Jan 2, 2019 ▶ 22:07 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 bearish
Disclosure
Hastings: Netflix Replaced All Linear TV Ads With Targeted Online Marketing
“We stopped advertising on linear TV a couple years ago, and all of our advertising is online, because we want to target the show to the person”
Reed Hastings Jan 2, 2019 ▶ 44:32 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 positive
Assertion Not checkable as stated
Hastings: Netflix Canada streaming launch hit three-month subscriber goal in three days
“Then we did our first test in Canada, our first test of streaming only, so we picked a new country that wasn't used to our DVD service to see with the content that we can get, can you build a service that there's word of mouth and grows in a, in another countr…”
Reed Hastings Jan 2, 2019 ▶ 9:54 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 negative
Opinion
Hastings: HBO excels at content but lacks strong technology capabilities
“And if we can combine the two of them better, that protects us against HBO, which is very good at content, but not so good at tech.”
Reed Hastings Jan 2, 2019 ▶ 35:10 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 neutral
Disclosure
Hastings: Netflix was named for streaming because DVD-by-mail was temporary
“So we always viewed the DVD by mail as a digital distribution network, And then we knew eventually, and that's why we called the company Netflix and not DVD by mail or, you know, that kind of thing. So we had the slight advantage that the thing that we, our fi…”
Reed Hastings Jan 2, 2019 ▶ 7:50 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019
Disclosure
Hastings: Netflix kicked DVD executives out of management meetings to focus on streaming
“We were hybridizing it with streaming, and we were getting more streaming attention and executives, but the discussion was still a lot around DVDs, and then we realized that we had to kick out the DVD executives of the main management meeting.”
Reed Hastings Jan 2, 2019 ▶ 10:52 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019
Assertion Partly supported
Hastings: Netflix spent $5 billion on content and $1 billion on tech in 2017
“Now, for this calendar year, we're spending about five billion on content and one billion on tech.”
Reed Hastings Jan 2, 2019 ▶ 16:42 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019
Insight
Hastings: Netflix went vertical because legacy studios would stop licensing content
“By 2011, 20 12, we were realizing that many of the firms that we were buying from were eventually going to want to run their own streaming service, and that we had, we did not have a reliable supply, and so there's a bit of the burn your boats Cortez model, wh…”
Reed Hastings Jan 2, 2019 ▶ 15:59 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 positive
Disclosure
Hastings: Amazon has invested far more in video content than expected
“In Amazon's case, I would say they've exceeded the amount of investment that I would have thought they'd, ah, put in. They spend a tremendous amount of money in the area, and some of the shows, as you said, are working out.”
Reed Hastings Jan 2, 2019 ▶ 36:08 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019 neutral
Prediction Not checkable as stated
Hastings: Netflix will not buy a telecom company
“So do we need to buy a telco? No, because we're not trying to, you know, we work with over 500 ISPs around the world. Ok, so just like Facebook, or Google, or anyone, or an internet company, the last thing, I mean, you know, how well is Google Fiber worked out…”
Reed Hastings Jan 2, 2019 ▶ 32:53 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019
Assertion Not checkable as stated
Hastings: Funding a TV series requires $30M to $100M upfront
“You know, you're in for the whole thing at, you know, thirty million to a hundred million dollars. So the size bets that you have to make on these are larger.”
Reed Hastings Jan 2, 2019 ▶ 39:08 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019
Insight
Hastings: Non-tech companies cannot succeed in tech by dabbling on the side
“For a non-tech company to do a little bit of tech on the side, that will never work out. But if they must get good at that area, and they're a good management team, and they put, say, a third of the company to it, they can figure it out, including on the creat…”
Reed Hastings Jan 2, 2019 ▶ 34:11 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019
Insight
Hastings: Disruption requires turning new businesses into profit drivers, not just dabbling
“The key thing is not getting into the new business. Lots of companies do that. They just don't get in and make money. They don't create it as a profit driver, They get in and dabble with it and lose money in it, essentially”
Reed Hastings Jan 2, 2019 ▶ 8:58 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019
Disclosure
Hastings: Netflix's early attempt at Sundance movie acquisitions lost money
“In the middle of the blockbuster wars, we started buying films on DVD out of Sundance, and we couldn't make the economics work. We bought a whole bunch of films, and it turned out we just spent a lot more money than we got.”
Reed Hastings Jan 2, 2019 ▶ 15:46 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019
Disclosure
Hastings: Netflix bundled streaming with DVDs due to limited content licensing budgets
“Our commercial proposition, the two services, had to be highly integrated in the beginning. Because we just didn't have enough content. A combination of money to license that content and studio comfort.”
Reed Hastings Jan 2, 2019 ▶ 11:47 a16z Podcast | Tech and Entertainment in the 'Era of Mass Customization'
Jan 2, 2019
Assertion Not checkable as stated
Netflix employs 1,000 LA content staff and 4,000 Silicon Valley tech staff
“There's about a thousand people who work in LA that, on all the aspects of content, they all think they work at the greatest entertainment company in the world. And there's about 4000 people in Silicon Valley who think they work for the best tech company in th…”
Ted Sarandos Jan 2, 2019 ▶ 7:39 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019
Assertion Not checkable as stated
Netflix spent almost no marketing money on Making a Murderer
“We didn't, we spent almost no marketing money on the show at all, and it just exploded on its own. Nobody inside of Netflix foresaw that was going to be, you know, an overnight sensation like that, like it was.”
Ted Sarandos Jan 2, 2019 ▶ 14:00 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 positive
Insight
Sarandos: Authentically local foreign shows travel globally better than English-language ones
“What we're trying to do is tell these stories that are authentically local, and the win for us is that they actually travel more the more authentic they are. Because there's something inorganic about the English language European television show that forces it…”
Ted Sarandos Jan 2, 2019 ▶ 19:17 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 bullish
Assertion Not checkable as stated
Sarandos: Brazilian show '3%' achieved U.S. viewership rivaling cable hits
“You show a show like the three percent, which is a show we make in Brazil, in all in Portuguese, with an all Brazilian cast, and the watching on Netflix in the U.S. Would be equivalent to a pretty good sized cable hit.”
Ted Sarandos Jan 2, 2019 ▶ 18:50 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019
Assertion Supported
Sarandos: Netflix greenlights roughly 1% of pitches across its content slate
“This year we'll have 30 original series, 80 original films, 35 original kids series, 19 local language original series being produced all over the world 65 documentary projects, so I would say it's about one in a hundred.”
Ted Sarandos Jan 2, 2019 ▶ 10:33 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019
Disclosure
Sarandos: Reed Hastings originally pledged Netflix would never make original programming
“When we've made a move into original programming, We were so convinced as a company that we would never do original programming that Reed had said, we'll never do original programming, yet I knew that I was in a safe place to do it.”
Ted Sarandos Jan 2, 2019 ▶ 42:25 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019
Assertion Not publicly verifiable
Netflix shipped 60,000 unique DVD titles daily out of 100,000 catalog
“That we had a 100,000 titles on DVD, and every day, 60,000 of them shipped.”
Ted Sarandos Jan 2, 2019 ▶ 15:18 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 negative
Disclosure
Sarandos: Crouching Tiger II was Netflix's first major commercial movie flop
“The ones that don't ultimately realize those audience, or that, that audience, and one of those was Crouching Tiger, Hidden Dragon II, our first big movie we put out. We thought it was going to be, The second coming.”
Ted Sarandos Jan 2, 2019 ▶ 15:40 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 neutral
Assertion Partly supported
Netflix's investment in original programming reached over $7 billion
“Today's episode features a Q&A with Ted Sarandos, chief content officer at Netflix, which evolved from a company that sold DVDs by mail to streaming to including original programming, which is now an over seven billion dollar investment for them.”
Sonal Chokshi Jan 2, 2019 ▶ 0:03 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 bullish
Assertion Not checkable as stated
Sarandos: Cumulative buzz for top Netflix shows exceeds Game of Thrones
“The cumulative buzz of Orange is the New Black, the cumulative buzz of 13 Reasons Why, the cumulative buzz of Stranger Things is actually much bigger than Game of Thrones.”
Ted Sarandos Jan 2, 2019 ▶ 39:46 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019
Assertion Not checkable as stated
Sarandos: Netflix categorizes users into roughly 600 taste clusters
“There's probably 600 meaningful ones, yeah.”
Ted Sarandos Jan 2, 2019 ▶ 21:40 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 positive
Opinion
Andreessen: Netflix driving biggest TV revolution since color television
“I also think Netflix, even beyond that, it's catalyzing the most dramatic period of revolution and change in the television video industry. You know, certainly since the arrival of color TV and maybe, maybe even before that.”
Marc Andreessen Jan 2, 2019 ▶ 1:26 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019
Assertion Partly supported
Peter Morgan writes every word of The Crown without a writers' room
“Peter Morgan writes every word of the crown. No, no writer's room. He has some research team that helps him, but every word of that show is written by him”
Ted Sarandos Jan 2, 2019 ▶ 27:21 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 positive
Disclosure
Sarandos: Iron Fist had the biggest launch among Netflix's Marvel series
“And it was the biggest launch of all four.”
Ted Sarandos Jan 2, 2019 ▶ 34:13 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 positive
Assertion Not checkable as stated
Sarandos: Luke Cage defied conventional wisdom and performed globally on Netflix
“African-American superhero, and on and on and on, and it was hugely popular for us all over the world.”
Ted Sarandos Jan 2, 2019 ▶ 33:41 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019
Assertion Partly supported
Netflix committed to two seasons of House of Cards without a pilot
“House of Cards was our first original show on Netflix, and the deal we made with David Fincher was, I'm going to give you two seasons of the show, no pilot.”
Ted Sarandos Jan 2, 2019 ▶ 24:33 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 positive
Disclosure
Ted Sarandos greenlit Stranger Things immediately upon hearing the pitch
“I knew as soon as we heard the Stranger Things pitch that we were doing this show. And I knew it every step of the way as the episodes, as the scripts were coming in, as the episodes were coming in, That it was something special. Not at the scale that it is. I…”
Ted Sarandos Jan 2, 2019 ▶ 12:25 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 bullish
Disclosure
Sarandos: Adam Sandler movies are among Netflix's top-watched films
“I think it's underrated relative to watching, and some of our top watched movies have been these Sandler movies, which tells you, again, what people's tastes are.”
Ted Sarandos Jan 2, 2019 ▶ 40:47 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019
Insight
Sarandos: Content failure is failing dollar efficiency versus alternative investments
“Where we see we have a failure is that relative to what it costs, did enough people watch it that it was a good use of content dollars. So there is an efficiency measure in that way, which is, is it an efficient use of dollars relative to any other way you wou…”
Ted Sarandos Jan 2, 2019 ▶ 15:23 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 negative
Disclosure
Sarandos: Iron Fist is Netflix's worst-reviewed show
“Iron Fist is literally the worst reviewed show on Netflix.”
Ted Sarandos Jan 2, 2019 ▶ 34:01 a16z Podcast | The Internet of Taste, Streaming Content to Culture
Jan 2, 2019 positive
Prediction Held up
Mariotti: Enterprise transition to microservices will take ten years
“At an enterprise level, you know, 99.9, they're still monolithic, so it's more a 10 years transition that we'll see, and what Netflix did, it will happen to Coca-Cola, to McDonald's, so there's a lot of value to be unlocked and to help companies doing this tra…”
Augusto Marietti Jan 2, 2019 ▶ 11:00 a16z Podcast | The API Economy -- The Why, What, and How
Jan 2, 2019
Insight
Chen: B2B software is significantly less price elastic than consumer subscriptions
“When Netflix increases their monthly subscription by two dollars, everyone's, you know, screaming bloody murder. And B to B is obviously less elastic.”
Andrew Chen Jan 2, 2019 ▶ 19:22 a16z Podcast | When Organic Growth Goes Enterprise
Jan 2, 2019 neutral
Assertion Supported
Whitman: Quibi must commission all content because no short-form libraries exist
“There is no library to buy for this very high quality short form content. So unlike Netflix or Hulu or other that bought a library, there is no library to buy. So we have to commission that content.”
Meg Whitman Jan 2, 2019 ▶ 15:52 a16z Podcast | On Marrying Entertainment and Technology
Jan 2, 2019 positive
Assertion Not checkable as stated
Andreessen: Tech giants decoded media and culture between 2015 and 2018
“It really is in the last, like, three years, it feels like a bunch of the Valley companies are really starting to decode culture, A bunch of the big, I mean, Netflix being, you know, Netflix sort of, you know, sort of setting a new model, but now being, you kn…”
Marc Andreessen Jan 2, 2019 ▶ 23:17 a16z Podcast | Talent, Tech Trends, and Culture -- with Ben, Marc, and Tyler Cowen
Apr 1, 2019 negative
Opinion
Koppelman: Mid-budget $14M-$30M films are much harder to make outside Netflix
“It's much harder to make those mid, mid, those sort of mid budget, 14 to 25 or thirty million dollar movies. Though Netflix does it, right? You can do it at Netflix now, which is probably where it would happen, but, and then, or you would try to tell the story…”
Brian Koppelman Apr 1, 2019 ▶ 42:24 a16z Podcast | For the Billions of Creatives Out There
Dec 17, 2019 neutral
Insight
Streaming platforms require driving subscriptions rather than capturing scheduled viewers
“Like, the idea for Netflix is, my job is to make shows that make people want to Subscribe to Netflix, which is very different than keeping people watching, you know what I mean, it's just different bringing people to the show for a specific hour of time.”
Shonda Rhimes Dec 17, 2019 ▶ 27:59 Scaling Creativity with Marc Andreessen and Shonda Rimes
Dec 17, 2019 positive
Disclosure
Shondaland created a Netflix-backed incubator to retain writers long-term
“We've really created, we were able to create a model in the beginning when we first got there to find a way to hold on to a series of our writers and to make it sort of a creative home for people to stay versus you know, you have to go away and take a deal her…”
Shonda Rhimes Dec 17, 2019 ▶ 32:28 Scaling Creativity with Marc Andreessen and Shonda Rimes
Dec 17, 2019 positive
Assertion Not checkable as stated
Netflix's directive to Shonda Rhimes is to make whatever makes her happy
“I can tell you exactly in specific terms what they ask from us, which is make whatever makes you happy, which has been fantastic.”
Shonda Rhimes Dec 17, 2019 ▶ 28:38 Scaling Creativity with Marc Andreessen and Shonda Rimes
Dec 17, 2019 positive
Insight
Network television testing measures subjective opinion, unlike Netflix's behavioral streaming data
“But it's never been a thing that I've really paid attention to in a real way in network television because testing in network television is really about opinion. I'm very excited about it at a place like Netflix because that, the data is very different than te…”
Shonda Rhimes Dec 17, 2019 ▶ 16:15 Scaling Creativity with Marc Andreessen and Shonda Rimes
Dec 17, 2019
Assertion Not checkable as stated
Netflix does not evaluate Shonda Rhimes's show pitches using subscriber projections
“We don't have to ask those questions. Like, that's not a thing that happens. It's more about, are you excited about this?”
Shonda Rhimes Dec 17, 2019 ▶ 29:03 Scaling Creativity with Marc Andreessen and Shonda Rimes
Jan 16, 2020 negative
Opinion
Shum: Opaque AI in medical and military decisions can be deadly
“You might think it's probably harmless to get some kind of Netflix, Netflix recommendation about the movies you to watch. But the political ads on social networks can be problematic. Medical diagnosis, or even military decisions based on AI, you know, can be d…”
Harry Shum Jan 16, 2020 ▶ 13:32 Explaining AI
Jan 27, 2020 bullish
Assertion Not checkable as stated
Rice: Netflix views its primary strategic growth path as international expansion
“I think that the main thing that I bring is a deep knowledge and understanding about many, many different parts of the world and the international landscape to a company like Netflix that is increasingly growing globally and views its, you know, its path forwa…”
Susan Rice Jan 27, 2020 ▶ 46:23 The Career Changing Magic of Strategic Compartmentalization
Sep 2, 2020
Insight
Sivak: Video Games Compete Directly With Netflix, Facebook, and TikTok
“You're competing with everyone. You know, you're competing with Netflix, you're competing with you know, with Facebook and TikTok.”
Seth Sivak Sep 2, 2020 ▶ 2:21 From Unknown Title to Viral Game: 12 Growth Lessons From Spellbreak
Nov 9, 2022 negative
Assertion Supported
Andreessen: 'The Social Dilemma' lied about historical bicycle opposition
“There's this Netflix documentary called The Social Dilemma that's kind of, you know, condemns, you know, kind of social media as this kind of unique threat to civilization. And one of the things that one of the guys in that movie says is he's like, you know, s…”
Marc Andreessen Nov 9, 2022 ▶ 10:16 Why Technology Still Matters with Marc Andreessen
Feb 22, 2023 positive
Assertion Supported
Sandbox VR partnered with Netflix for a Squid Game VR experience
“And that is why we decided to partner with Netflix on Squid Game.”
Steve Zhao Feb 22, 2023 ▶ 39:40 The Challenge of Replicating Reality with Steve Zhao from SandboxVR
Mar 31, 2023 negative
Insight
McFedries: Backward-looking AI models will cause repetitive media feedback loops
“It's going to be really hard to be excellent, and because, you know, models effectively are backwards looking, data kind of begets more data. I mean, you're going to have some, like, nasty feedback loops, not entirely dissimilar from, like, what happened to Ne…”
Trevor McFedries Mar 31, 2023 ▶ 29:22 Digital Humans and the Story Behind Lil Miquela
Jun 14, 2023 negative
Opinion
Ghodsi: Founders who mis-hire executives owe them maximum offboarding generosity
“I disagree with that. I think from then on, it's you owe them. You're the one that made the mistake of hiring them to be as generous as possible within reason.”
Ali Ghodsi Jun 14, 2023 ▶ 17:13 Ben Horowitz on Executive Firing (and Hiring)
Oct 21, 2023 negative
Opinion
Andreessen: Consuming 12 hours of Netflix daily is 'existence of a cow'
“I'm a fan of Netflix, but like, maybe not 12 hours a day. That's existence of a cow.”
Marc Andreessen Oct 21, 2023 ▶ 0:09 Why It's Time to Be A Techno-Optimist
Jun 28, 2024 negative
Disclosure
Andreessen told Reed Hastings in 2004 that Netflix streaming was crazy
“I remember meeting with Reed Hastings in, I think, 2004 and, you know, Netflix was up and running and was very successful doing a DVD rental by mail. And he literally, you know, reads, reads a technical genius in addition to being a business genius. And he sai…”
Marc Andreessen Jun 28, 2024 ▶ 22:57 Marc Andreessen on Inventing The Internet Browser (How We all Access the Internet)
Jul 23, 2024
Disclosure
Casey regrets not trimming Meta at $380 before it fell to $90
“The twenty-twenty-two period was rough and, you know, I kinda, my big mistake in twenty-twenty-two was not trimming a lot of stocks at the end of twenty-twenty-one. You know, I looked at Netflix at 6:30 then, and Amazon at one 80, and Facebook at three 80, Fac…”
Mark Casey Jul 23, 2024 ▶ 2:17 Mark Casey (Capital Group): Public Market and Macro Perspectives
Apr 29, 2025 bullish
Insight
Andreessen: Full-stack tech disruptors can become larger than the legacy industries they replace
“Those companies, good news, those companies can get to be gigantic, right? Because if you crack the mother load, like, you know, Netflix has, for example, entertainment, you know, you could, or like Tesla has in cars, you can build a company that's maybe multi…”
Marc Andreessen Apr 29, 2025 ▶ 1:00:08 How Andreessen Horowitz Disrupted VC & What’s Coming Next
Jul 3, 2026 positive
Assertion Partly supported
Horowitz: TelevisaUnivision secured a Netflix deal using ElevenLabs AI dubbing
“Well, we've got this great company, 11 Labs. They can help you with it. We put them together. In a couple of months, he was in, you know, France and Poland and all over the world with this incredible technology that had his actors basically acting exactly as t…”
Ben Horowitz Jul 3, 2026 ▶ 12:04 Ben Horowitz on the Global Race for Tech, Power, and Influence
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