CreativeLive founder Chase Jarvis discusses the production scale behind The New York Times' landmark 2012 interactive feature "Snowfall".
Opinion
Jarvis: Serena Williams Does Not Care About Teaching MasterClass Courses
“I've photographed Serena. I know her. I know she doesn't love teaching. She doesn't care about it. She's a great tennis player. Obviously the best in the world, the history of the sport, but I know also that she, you know, if she could get offset as fast as po…”
Opinion
Jarvis: Open Education Marketplaces Dilute Quality and Lack Authority
“It's not a two-sided marketplace to us that just dilutes the shit out of the landscape. What do you mean by that? Well, some of our competitors where anyone in the world can put up a course. Then you don't have, there's no sort of authenticity or authority. Yo…”
What-if
Jarvis: Shutting Down Best Camera Better Than a Golden Handcuffs Acquisition
“To me, the outcome was a better outcome to shut it down, learn from it, build into something new, which is now CreativeLive than it would have been, because I would have been ensnailed, or ensnailed, entangled, yeah, entangled in, A little legal dispute, but m…”
Disclosure
Jarvis: Skipping Early Instagram to Preserve Legal Position Was Catastrophic
“To not be on Instagram because of trying to preserve a legal position was a really that was a painful and borderline catastrophic failure as well.”
Assertion Not checkable as stated
Jarvis: Competing Online Education Platforms Convert at 1% to 2%
“I think it's, you know, low single digit, one, two percent.”
Assertion Not checkable as stated
Jarvis Received 'Private Jet Money' Acquisition Offers for Best Camera App
“I had companies asking to, you know, buy it for never work again money, like private jet money.”