Alexander Shelley

Artistic and Music Director, Artis—Naples · 1 appearance on the record.

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entertainerotheralexandershelley.com ↗Wikipedia ↗

Alexander Shelley is an English conductor recognized for symphonic programming and championing contemporary composers. He served as Music Director of Canada's National Arts Centre Orchestra and holds leadership roles with the Naples Philharmonic, Pacific Symphony, and National Symphony Orchestra Ireland.

18statements → 2claims → 0claims resolved → 4/5average certainty → 1.61/5average debate potential → ≈4.5/5argument clarity, estimated →

2 not checkable as stated how the 2 claims stand · each chip opens the sources

2 assertions · 2 opinions · 14 insights · every statement was checked. The predictions and assertions are the 2 claims: statements the public record can support or contradict. 0 are resolved, and 2 name no date, number or outcome precise enough to check. Everything else (opinions, insights, what ifs, disclosures) can never be settled by the record, so it carries no assessment.

The record, in short

What the tape says about how Alexander argues and how the claims held up. Everything they said, and everything said about them, is in the tabs below.

How they sound: not measured why? →

We measure speaking style by listening to the audio itself, and a fair number needs at least 2,000 words from one person on tape we have measured. There is too little of Alexander Shelley on measured tape to publish a rate. This says nothing about how they speak.

Everything Alexander Shelley said on the Knowledge Project that made the record, most notable first. Filter by type, assessment or year in the ledger →

Opinion
Treating arts education as an optional extra misunderstands its intellectual rigor
“This idea that arts in school is an optional extra. It belies a complete Misunderstanding of what the arts are. Because if you're doing it properly, you have to engage your intellectual mind as well as, in fact, I don't know what the other mind is supposed to …”
Alexander Shelley Mar 18, 2016 ▶ 29:26 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Civilizations achieve historical greatness through cultural output, not accumulated wealth
“Countries are only really great if they have great culture. It's not like it's then you have a great country, and then you add culture. When we look back at history, we don't, you know, count how much money different civilizations have, because it's all relati…”
Alexander Shelley Mar 18, 2016 ▶ 32:50 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Concert halls mirror religious spaces through the power of collective silence
“And you can see parallels between concert halls and religious spaces. If you go into a cathedral, you don't necessarily have to be a believer. To sense something special happening when it's full of people, and when there's a silence, let's say, after a prayer.…”
Alexander Shelley Mar 18, 2016 ▶ 4:28 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Classical music uniquely employs a movable rhythmic pulse led by conductors
“In contrast to majority of pop music or folk music jazz, you know, pretty much any other world, there are lots of works in classical music and moments within works of classical music where the pulse is movable. It's what we call rubato, so give and take within…”
Alexander Shelley Mar 18, 2016 ▶ 6:08 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Leaders must exercise authority to prevent paralyzing group indecision
“And frankly, as a conductor, you have to have both elements up your sleeve. It doesn't mean you have to be rude to people, although that's also an option. There have been some very rude conductors, but you have to sometimes just draw a line with an orchestra f…”
Alexander Shelley Mar 18, 2016 ▶ 13:20 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Music functions like mathematics through formal structures and analytical relationships
“There's actually an awful lot of form in music. It's like maths. It really is like maths. That's why a lot of mathematicians love music as well, because it's all about structures and forms and about relationships.”
Alexander Shelley Mar 18, 2016 ▶ 25:38 #9 Maestro Alexander Shelley: The Architecture of Music
Opinion
State-funded arts organizations must take artistic risks private entities cannot afford
“I think if you have a National Arts Centre, you have an orchestra, the National Arts Centre Orchestra, that receives funding from the central government, that yes, of course, we need to offer programs that fill our hall, but we also need to be able to take som…”
Alexander Shelley Mar 18, 2016 ▶ 50:02 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Optimal orchestral listening is 40 feet behind the conductor's podium
“The spot that's better for listening to an orchestra is about 40 feet behind me, because there the sound blends differently. You have, maybe not quite the level of impact that I get where I am, but the blended sound is better out there”
Alexander Shelley Mar 18, 2016 ▶ 52:50 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Conducting requires a meditative flow state interrupted only for micro-adjustments
“The correct state of mind for a conductor while performing is, even though I don't meditate, I have some, I have a close friend who meditated when he was growing up, and he just used to describe it to me, and actually the experience of conducting is very simil…”
Alexander Shelley Mar 18, 2016 ▶ 7:50 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Classical canon works follow recognizable musical forms that composers subsequently distort
“Pretty much every work in the classical canon is in some kind of recognizable form that will then be distorted”
Alexander Shelley Mar 18, 2016 ▶ 22:19 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Orchestral musicians require uniquely tight real-time coordination and mutual reliance
“Every time you type a letter, someone else has to type it exactly the same time with you, and that through your movement, you have to be able to coordinate in real time, all day, with the people around you. That any time you make a mistake, it immediately has …”
Alexander Shelley Mar 18, 2016 ▶ 39:51 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Conductors must maintain inherited standards while expanding an orchestra's repertoire
“One of the jobs of a conductor is, you know, it's like being presented with a beautiful garden. You need to make sure that what you're given remains beautifully trimmed and everything's very healthy, as well as then developing new areas and in that context, I …”
Alexander Shelley Mar 18, 2016 ▶ 42:50 #9 Maestro Alexander Shelley: The Architecture of Music
Assertion Not checkable as stated
Orchestras globally use musician evaluation forms to determine guest conductor rehires
“What happens is when you have guest conduct, this happens all over the world, when guest conductors come for a week, the orchestra gets forms to fill out where they comment on rehearsal technique, you know, conducting technique whether the, They felt the perso…”
Alexander Shelley Mar 18, 2016 ▶ 44:19 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Orchestral players must stay in sync with distant instruments they cannot hear
“When you're sitting in an orchestra what you're hearing is sometimes completely weird. So, you know, the oboist hears most loudly the man or woman sitting next to him, and then the person does right. So another oboe, another flute, the bassoon's coming from be…”
Alexander Shelley Mar 18, 2016 ▶ 53:24 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Conductors act as structural navigators for large-scale musical works
“But with works with bigger structures and longer journeys, I always have an eye on where we're going. That's my job, is also to be the sort of navigator through these bigger works.”
Alexander Shelley Mar 18, 2016 ▶ 5:24 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Stage musicians adjust their performances in real time based on audience feedback
“One of the beautiful things about live performance, again, is that we musicians on stage play and perform differently depending on how an audience is reacting.”
Alexander Shelley Mar 18, 2016 ▶ 8:46 #9 Maestro Alexander Shelley: The Architecture of Music
Insight
Musical coherence depends on listeners recognizing recurring thematic elements
“The coherence of a piece of music, whether it's a four minute pop song, or a, you know, one hour, 15 minute requiem, has to do with, ah, recognizing elements again, and DNA.”
Alexander Shelley Mar 18, 2016 ▶ 15:08 #9 Maestro Alexander Shelley: The Architecture of Music
Assertion Not checkable as stated
Beethoven built his entire Fifth Symphony from two notes and one rhythm
“One of the reasons is that he takes two notes and one rhythm and creates an entire symphony out of it.”
Alexander Shelley Mar 18, 2016 ▶ 16:05 #9 Maestro Alexander Shelley: The Architecture of Music

Appearances (1)

EpisodeDateSpeaking time
#9 Maestro Alexander Shelley: The Architecture of Music Mar 18, 2016 45m
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