Anna Wintour, every mention
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every year anyone Shane Parrish 446
Verbatim, from the transcripts: the passages where Anna Wintour comes up
Jimmy Pattison: Building a $16B Empire Without Connections, Capital, or Credentials [Outliers]
- ▶ 10:47 Shane Parrish Much like Anna Wintour, episode two-thirty-three, who went to run Viva, not because it was her dream job, it wasn't, but because it offered her complete autonomy.
- ▶ 1:09:43 Shane Parrish Like Anna Wintour at Viva, Pattison took a lesser position than he was capable of doing for greater control.
Anna Wintour: Vogue [Outliers]
- ▶ 0:01 Shane Parrish Anna Wintour once looked at photos from a 300,000 dollar fashion shoot and killed the entire story without explanation. 12 times in the scene
- ▶ 1:42 Shane Parrish Anna Wintour got fired for refusing to compromise her vision. 14 times in the scene
- ▶ 3:49 Shane Parrish When Anna was two, her ten-year-old brother, Gerald, died in a cycling accident. 16 times in the scene
- ▶ 5:51 Shane Parrish Anna's father, Charles, believed in his daughter. 22 times in the scene
- ▶ 9:47 Shane Parrish Anna's assistant, Claire Hastings, got a front row seat to what extreme standards actually look like in practice. 15 times in the scene
- ▶ 12:58 Shane Parrish They gave Anna's promotion to Min Hogg, a textiles expert who wrote features. 18 times in the scene
- ▶ 14:47 Shane Parrish I felt quite isolated growing up in England, with it being such a class-driven culture, Anna explained. 18 times in the scene
- ▶ 17:02 Shane Parrish Anna was devoted to work. 24 times in the scene
- ▶ 19:08 Shane Parrish Anna took a job at Viva Magazine. 22 times in the scene
- ▶ 22:32 Shane Parrish Anna needed work. 12 times in the scene
- ▶ 23:55 Shane Parrish Anna shows up to the interview with storyboards, complete with Polaroids, layouts, fully realized ideas. 18 times in the scene
- ▶ 26:47 Shane Parrish Mirabella called Anna and asked what position she wanted at Vogue. 19 times in the scene
- ▶ 28:58 Shane Parrish When House and Garden's editorship opens in New York, Anna takes it. 8 times in the scene
- ▶ 30:04 Shane Parrish They kept Anna in endless planning meetings while she pretended everything was normal at HG. 6 times in the scene
- ▶ 32:14 Shane Parrish Anna didn't come to Vogue to run it. 30 times in the scene
- ▶ 36:50 Shane Parrish What Anna did was change Vogue's cover strategy. 13 times in the scene
- ▶ 40:39 Shane Parrish Anna was busy, busier than she'd ever been, and she developed an assistant system that reveals something profound about how power operates in elite institutions. 15 times in the scene
- ▶ 43:02 Shane Parrish By 1997, Anna had been editor-in-chief for nearly a decade, and Vogue was performing spectacularly. 15 times in the scene
- ▶ 45:17 Shane Parrish Anna wasn't, but she also wasn't particularly tech-oriented at this point. 22 times in the scene
- ▶ 48:44 Shane Parrish Anna has been running Vogue for 11 years. 22 times in the scene
- ▶ 51:40 Shane Parrish Nothing revealed Anna's approach to power more clearly than how she handled major crises. 15 times in the scene
- ▶ 53:54 Shane Parrish The digital revolution should have killed Anna's tenure at Vogue. 10 times in the scene
- ▶ 55:23 Shane Parrish By 2008, Anna discovered fashion was just her vehicle. 20 times in the scene
- ▶ 58:13 Shane Parrish Critics were circling Anna like vultures. 18 times in the scene
- ▶ 1:00:20 Shane Parrish I want to talk about some of my reflections from reading and learning about Anna and what a force this woman is. 18 times in the scene
- ▶ 1:03:20 Shane Parrish Anna spent five years at Harper's on a skeleton crew of three people doing everything from market visits to layouts to captions. 18 times in the scene
- ▶ 1:08:31 Shane Parrish Anna, 4 times in the scene