Hollywood

“Hollywood is almost more like venture capital, where there's going to be some dogs, even the best, and you can't have everything be guaranteed because it's art, not engineering.”

“If Hollywood is not creating their own Like proprietary tools. To generate content. They're fucked.”

“The budgets have, like, skyrocket to the point it's unsustainable, like, I mean, to your point, like, you're spending hundreds of millions of dollars trying to make something, and then if you need to make something, you're gonna bet for the thing that the safe…”

“The nature of the, of Hollywood is like venture capital. Like it is a hits driven business. If you don't accept that you're going to have massive flops and egg on your face and embarrassing moments, you will not make it.”

“The future of Hollywood, the entertainment industry, the music industry is going to be largely AI generated or assisted. The appointment television, aside from live, you know, breaking tech and business news sport is like guaranteed. And the celebrity of being…”

“You have to imagine that even if you want to use a more traditional process and go through the traditional Hollywood pipeline, showing up to a pitch meeting at an agency With a pretty much polished AI version of your film is going to resonate in a way that a s…”

“It may be for you, but it's not going to be enough to sit on the sidelines and make the moral plea that no, this is wrong. It's not gonna last. There's too much money to be made, and there's, it's too productive.”

“And maybe that's possible, but I have a feeling that it's just like, it's not a year away. It's not Two years away. It's a little bit farther, still on the 10 year camp, still on the Kurzweil timelines.”

“And maybe that's possible, but I have a feeling that it's just like, it's not a year away, it's not two years away, it's a little bit farther, still on the ten-year camp, still on the Kurzweil timelines”

“And so, the business case for AI video is still a little bit more narrow, and I think it will be Tucked in the tool section. I was yeah, looking a lot at, like, the Aflac project that he sold to Netflix, and some of the background replacements, some of the VFX…”